this is an official reissue of what am i gonna do for fun by the band pitch (1982 - new york city). this release also includes a fantastic remix or rework by tolouse low trax (toresch, salon des amateurs, düsseldorf). a few words from stuart shape, the producer: feels like it was done by another person. i remember getting the serge synthetiser to stay in tune was always a problem. we were fascinated with the new sampling that were just coming out, and kind of got carried away on the vocals. not sure what i was thinking about with the lyrics, guess maybe trying to figure out what i was supposed to be doing when i wasnt working or playing music unfortunately no other finished tracks from that era have survived. they recorded a lot, but finished and saved very little.

zuhören, genießen, glücklich sein: die wiedervereinigung des jahres. die vinyl-lp erscheint inklusive album-cd.

nice price deal !!! third release of the label what.if. debut of the barcelona based producer carlo santi with an original track called “tambor” on the a side. on the b side the release includes a fresh remix from birdsmakingmachine.

ltd 7 inch

nice price deal !!! schöner klassischer vocal house…plus r & b mix

apparently eveything is lost nowdays. but no worries, we will always find a way. forget what you see but definitely don’t forget what you feel.

nice price deal !!! lomechanik is a label and collective that has its roots in nijmegen, the netherlands, but works together with artists from all over the country. since 2003 lomechanik has been releasing quality music on vinyl and cd.

nice price deal !!! limited remix 12inch from franz ferdinand featuring mixes of what she came for from drums of death, tigerstyle and lee mortimer.

nice price deal !!! electropunk mit mixen von khan, shrubbn &steve morell. steve - nicht george

nice price deal !!! bad pimps are nobody else than patrick lindsey aka voodooamt and stanny franssen aka g-force. both buddies have teamed up again to show us what funky and tribal techno really is. being tired from all this boring electro hypes they have reexplored the groove again. after several smashing releases on monik kruse s terminal m imprint patrick and stanny are now releasing this master piece on patrick s techno division trackland and one thing is fure sure, mister lindsey is backkkkkkkkkkkkkkkkkkkkkkkkkk!

nice price deal !!! congratulations to what! what! records for five years of releasing finest funky & party banging techhouse nuggets

nice price deal !!! what! what! welcomes marc de vole. again the label delivers finest swing influnced minimal techhouse to have fun in the club. incl monkey safari remix

nice price deal !!! this time mike okay brings us the fun on the floor. very groovin & crispy tracks with a lot of giggly coolness make this again to a sure shot for djs

re-release der tracks -hey, what s that you say- der disco-formation wood, brass & steel, der 1973, drei jahre vor ihrem legendären, gleichnamigen debütalbum, erschien. auf der flipside ihr cover des ronnie laws-klassikers -always there- (aus dem album), das hier erstmals auf 7- vinyl erscheint.

allblack + atoll remix. vinyl only. 180 gram.

jun kamoda is a producer, dj and mc from tokyo. new to the label but a friend of the party, jun came to mister sunday in nyc last year and ended up hanging around for a few days afterward, digging for records and sharing bowls of spaghetti with the boys. when he returned to japan, he got to working on the music we now present to you on the clay ep. this is jun blending loopy, psychedelic disco stylings with chugging drum work for three party-ready cuts. theyve been chopping up our dance floors months we’re excited to hear them do the same to yours.

vinyl only release, marc philipps debut on * what you want* seems to be a winner! the mighty offenbach based producer showed already his potential on labels like neostrictly, pleasure zone, be chosen, subtil or epilog - to name a few.

this compilation should enrich everybody’s soul with a mix of something for everyone who likes or wants to explore the variety of early soul tracks which are finding new favour on today’s uk soul scene. from the lesser known tracks from big name artists like aretha franklin, otis redding, gladys knight and the drifters, to established hits from the valentinos, sam cooke, steve alaimo, chuck jackson and timi yuro.

following his acclaimed north bend album of 2015, chris roman, known as 214, is back on shipwrec with the third in their series of single sided odysseys. a haze of bass descends for -i see what you did there-, a clipped drizzle of percussion falls before thick acid bars tremble into position. echoes, reverb and decay merge, groan and bend as the preconceptions of ambient, electro and techno are pulled apart. in one breath dense and complex, the next grooving and future funk dipped. an epic example of 214 s talent. single sided 12- with a silkscreen printed b side. limited to 250 copies on transparant vinyl.

the hungarian drum & bass innovator jade, known as head honcho of neurofunk powerhouse eatbrain, returns to citrus recordings. for the a-side none other than break takes up remix duties reworking jade’s “what you are” that was originally released on his own imprint back in 2014. continuing with “monstereo” we hear a more rolling, pumped up groove underlined by tear up bass sounds and fueled by hyperactive arpeggios.

wozu? dazu! us-sänger und produzent toro y moi lässt sich von den 70ern inspirieren.
die vinyl-lp erscheint inklusive downloadcode und sticker.

star creature presents this 5 track ep from japan’s city baby records done by tokyo based future funk masterminds liquid pegasus (include members of star creature’s freakway). slick and stylish boogie sounds that mix minneapolis with japan. “on what i actually do”, future funk masterminds liquid pegasus (includes members of freakway) infuses their spacey, boogie-laden take on the minneapolis sound with a pronounced japanese influence. “heavy sounds” features a few choice solo’s from star creature recording artist e. live. the songs are a hot bed of twangy jazz-funk riffs, slappy bass, slick, tight drums, sexy guitar licks and shiny, bendy synthesizers. awesome.

the very first release on romanthony s cult black male label from 1991 now legitimately repressed, remastered and ready to do damage on the dancefloor once again! all the mixes present showcase romanthony s heavily gospel tinged, prince leanings to full extent, covering styles from new jack swing to deep house! this one is super rare, copies scarcely show up for sale and when they do they are usually over the £100 mark! now is the chance to obtain an early rarity from the amazing catalogue of one of house music s true originals!

what is the new label from tobi neumann and patti ense?
what is a label based in berlin?
what is something between house and techno?
what are those infamous parties from patti?
what....? first release is the tiffany ep by tobi neumann, dewalta, patti ense and joel harmsen
support from nastia, dana ruh, shonky, andre galluzzi, nick curly...

singularis, the talented young beat-wrangler from the netherlands, first appeared on the cold busted label at the age of 16 with his impressive debut album evening hours. since then hes grown both as a producer and in age, now unveiling what a time, his third fulllength for the prestigious downtempo imprint.

vinyl only limited 300 copies move and understand si proud to present the first release .a collaboration between indian ,romanian and italian music culture.we are what we made

miami born turntablelist & producer, jesse perez, throws down a booty shaking killer house jam for edibles fourth release. what you say about my momma has been ripping up dancefloors for months since landing in eats everythings hands, so its a welcome release on the label, backed with a deadly remix from truncate. on the original mix, perez grinds out a funky and low-slung groove, its memorable vocal hook looping and chopping from side to side as the raw mpc beats and sub bass weave their magic. truncate brings his no nonsense and direct approach on the remix, carving out a dance mania style drum workout over the cut up vox (think robert armani meets armand van helden). truncate has been a hugely dependable producer for yonks via his trax on his own truncate label as well as mixes for jimmy edgar, shlomi aber and kink, and he does not disappoint here. perez wraps up the ep with boogie down brown, another slab of funk laden house goodness, blending high tension strings and rolling drums to great effect. perez has been firing out infectious house jams for labels like bpitch, dj sneaks im a house gangster and hot creations, for some time now, as well as working his own label mr. nice guy, so its a welcome addition to the edible roster for jesse perez

ltd repress, * thats what friends are for* showcases adesses touch for building tension. think back to those twelves from the dons of dancefloor drama - ron trent, carl craig, dj duke and murk - music built for a world where the lights dont come back on.

marcus lambkin aka shit robot returns with his third full length album for dfa records, entitled what follows. the 11-track album was conceived and recorded at marcus’ home studio in a small town outside stuttgart, worked on in various new york studios and then mixed over the course of 11 intense & coffee-fuelled days in dfa label mate juan maclean’s new hampshire studio. the album follows lambkin’s previous long-players, from the cradle to the rave (2010) and we got a love (2014), which drew plaudits from the likes of the guardian and pitchfork, and featured reggie watts and james murphy among the array of contributors.
the double vinyl lp comes in a gatefold sleeve with download code included.

africa is not a country. we in the west often refer to african music but what is that exactly? it could be myriad, almost unimaginably different forms of music that bear little relation to each other, as after all africa is a vast continent that is larger than the united states, australia and the whole of europe combined. these four tracks showcase some of those different forms of music from across the continent. there is some cosmic synth drenched proto-house, an afro-beat call to arms, a hypnotic juju workout and a rough and ready, relentless lo fi west african banger. all proceeds will go to human rights justice group, nigeria.

after the debut release on do not sleep become a sure fire club hit, the ibiza party turned much loved house and tech label now has another weapon up its sleeve. the next release is from perel, is titled charles manson and features another standout remix from resident darius syrossian. perel is a berlin based dj, producer and vocalist who is quickly rising through the ranks. she has released both originals and remixes on o*rs before now, and has a robust house and techno infused sound that simply makes you want to dance. as a dj she is a regular at cool spots like farbfernseher and impresses here with what she serves up for do not sleep. the original is a chunky, no-nonsense house track with bouncy bass, subtle vocals and the sort of futuristic and soulful pads that help make it really stand out. it s a slick, well produced sound that is sure to make it into many top record bags in the coming weeks and months. the remix from darius is a subtle one that layers in some trance inducing vocals and extra breakdowns so as to really highlight the powerful effect of the drums each and every time they drop.

by all accounts, whiskey disco has matured. each release unique, but compiled meticulously to meet some of the highest standards in the edit community. wd45 continues the trajectory with 4 tracks combining equal parts soul, boogie and disco. rastanils cuts up cheesy obscurity to reveal heavy disco vibes—this edit was smashed by mcde at numerous festivals in 2015. next up, the intriguing corsican brothers reappear after a 5 year absence from whiskey disco with a sliced version of i like it, beefed up bass and space on the platters with a touch of dub. side b exemplifies the weirdness only a b-side can… albions disco chopper is a stretched and phased party jam that does not stop. move to the inside for the lengthy and epic big time, a 9 minute exploration into rocking disco roots, courtesy of the eponymously named blaxploitation movie from 1977.

second release of the vinyl only label what.if from barcelona. label heads dafoe & amin ravelle introduce oscillation ep

another timeless masterpiece from chicago legend ron trent!

theres a reason kai alces name consistently comes up when the topic is exceptional house music. the ndatl label boss remix of the dangerfeel newbies * what am i here for* takes the soulful number to heights beyond the originals already heady groove. j piccola sings with a perspective thats like bopping through the city, skyscrapers above giving dimension to the groundwork so necessary for love and progression. his vocals match the pace of propelling keyboards by chris irvin and delvynw. saxophone by quinn mason adds an element that in alces distinctive hands becomes a part of all things classic house: deep, melodic, and ultimately, free. thats particularly true of the kzr’s late night mix. it harkens the wee hours with a shuffle, leading keys and pinpoint bass. the piano instrumental puts keys front and center, with a few jazzy chords that recall the hippest, dopest brunch you’ve ever attended. the entire project is very much atlanta-grown, representing its strong, interconnected music and art scene. all the key contributors are based in the city, from alce and the dangerfeel newbies, to acclaimed visual artist radcliffe bailey, who created the album art, and tastemaking graphic artist steve deniro, who designed the album layout. after small promo run in japan the gem gets a full worldwide release with alternate mixes and kai alcés bonus distinctive remix of * swingin with the new jack* previously unavailable

huge 12inch from the vaults of tk disco! exclusive never before released or heard kon and todd terje edits of t-connection and jimmy mcgriff. kon, got his hands on the original stems and re played certain parts to re create a huge modern disco masterpiece. mastered by caserta this is pure disco gold and will slay any dancefloor. on the flip we have a todd terje edit from his personal edit stash. this edit has never been released in any shape or form and is a personal edit terje made for his dj sets. watch out for a tk box set next year!

the british dj/producer and aus alumnus launches the new imprint in december 2015 with what you want, a collaborative two tracker with us artist j.phlip that features a remix from clones vin sol.

2018 repress - australian newcomer, mall grab helps launch vinyl only imprint, shall not fade, with his moody, lo-fi and analogue sounding “alone” ep. this is mall grab s third full 12” and presents some of his finest productions to date, mall grab proves that it s not what you use, it s how you use it.

maeve is the record label run by three close friends, mano le tough, the drifter and baikal. after his excellent remix of baikals why dont ya, maeve is delighted to welcome back our friend ripperton with his own this, what remains release. two beautifully deep tracks that hit their hypnotic momentum when you let them run their full course. epic burners for special moments.

mehr northern soul-klassiker aus den 1960ern!

on side a you will find two classic tech-house tunes but yet dark underground. the single track on side b is a long travell slowly changing it s acid theme, more experimental & minimal than we are used to hear from tilliander.

finale sessions is excited about this release from knoxville, tennessee artist alex falk. he has been on our radar for some time now so we are pleased to share this with you! the a1 track -an ever- is one of our favorite tracks on the ep, with dreamy pads and monstrous stabs making for a fantastic floor-stomper. rounding out the a side is rrecs, a deep techno cut with clattering chords and moving drums and claps. b1 track what is free is another solid peak time killer with thick stabs and cut-up vocals making for a perfect finale sessions release. finally, br56 brings up the tempo while chilling out the vibe with dubbed-out chords, nasty filter work and a sound floating somewhere between techno and house.

-what i like ep- from ics and sammy w & alex e, setting things up nicely for your dance floor workouts. including slamming remix by medeew & chicks luv us stepping things up a gear with a bass driven tech vibe.

what you want welcomes cntrl with his modulated rhythm ep to the labelfamily. vinyl only release.

a young dj/producer from brooklyn (deep explorer, finale sessions) pushing the line where deep house and techno join in emotive rawness. a deep moody selection of movements that suit any occasion as the vibe grows & culminates.